Create stories that can be shared across all entertainment mediums
Use improv and playwriting skills to influence and shape the world of content creation
The Content Creation and Scriptwriting Summer Institute is a two-week, UC credit-bearing intensive program for students interested in writing for the web, film and theater. This program provides opportunities to work with our distinguished faculty in classes such as webisode writing, screenwriting, playwriting, improv, and sketch comedy. The combination of these courses will allow students to use their training to create stories that can be shared across all entertainment mediums. Students will learn the technical components of writing for the web, stage and the screen while gaining hands-on experience in developing and completing three short form writing samples. Beyond the classroom, students will attend guest workshops and learn the art of collaboration.
The program is designed for artists and students who seek additional discipline and training required for participation in a university theater program or a career in the entertainment industry. Participation in this institute is open to college and high school (16 years and older) students.
Fees and Payment Info
The program fee includes the unit fees for the UCLA coursework offered as part of the program and thus varies by UC student status. In addition to the program fee, students are assessed other campus and administrative fees during the summer. This is a summary of fees that commonly apply to the selected student type.
Actual tuition and fees are subject to change by the University of California. Visit the fees, payment, and financial aid section for important disclaimer, as well as more details on fees, payment instructions, and information on delinquency, refunds, and financial aid.
**OPTIONAL HOUSING FEE** = $1,404
Students living in on-campus housing will be charged an additional housing fee. Please note that UCLA housing is only available for precollege participants.
|Document Fee (for first-time Summer Sessions students)||$50|
Meet your instructors
Patrick Hurley graduated from UCLA with his MFA in playwriting. The first part of his Queer Tetralogy On a Queer Day was a Semi-Finalist for The Eugene O’Neill playwrights conference in 2018. His play The Winds of Ariston was part of UCLA’s 2017 New Play Festival. In 2018, his serialized play #instagay had twelve episodes at Sacred Fools Theatre in Los Angeles. In 2016, his play My Play’s Last Scene was part of the Marianne Murphy Staged Reading Series. That same year his One Act Indigo at Midnight was part of the Francis Ford Coppola One Act Play Festival. He worked as a Stage Manager for Francis Ford Coppola on his live television project Distant Vision. He has taught playwriting at UCLA, has been a dramaturg and literary assistant for The Theatre @ Boston Court in Los Angeles, and was the head writer for the 2018 Los Angeles Ovation Awards Ceremony. He is a two-time recipient of the George Burns/Grace Allen Fellowship for Comedy.
David Kepner is an LA-based actor, holding a Master’s in Acting from UCLA and a Bachelor’s in Theater & Secondary Education from Boise State University. David is an avid actor and filmmaker earning most of his experience from theater, film, and original comedic shorts. His micro-short film and directorial debut, Georganne.MOV, won Best Mockumentary Micro-Film at the Portland Comedy Film Festival (2020). David also received the Silver Tripod/Best Story award for my short film, MICNIC, at Campus MovieFest (2019). He also performed in numerous plays, recently playing as the titular role in Aphra Behn’s The Rover at the historic Freud Playhouse (2020). David continues to display his acting abilities in original sketch comedies and other performative projects that come his way. When he’s not working, he loves to play video games, order take-out, get scratched by his cat, and to leisurely ride his motorcycle around town to prove that he owns the ultimate form of transportation.
Annette Lee began her artistic life as an actor in New York before returning to her native Los Angeles as a playwright. Her plays have been performed and read in Los Angeles, New York, Colorado, Portland, and Chicago. She has written for radio, mono-drama, site-specific projects and has served as a dramaturge for Artists at Play, USC School of Dramatic Arts and its Master of Professional Writing Program. A recipient of the Mickey Dude Fellowship for the Depiction of Ethnic Life in America and the Edna & Yushan Han Scholarship, she holds an MFA in Playwriting from UCLA, has taught writing at UCLA and East West Players. She has written with The Vagrancy and the David Henry Hwang Writers Institute. Formerly, as the Literary Manager for Los Angeles’, Playwrights’ Arena, she curated seven seasons of the New Pages Lab Reading series, a program developing new works for the stage by Los Angeles playwrights, which have been seen and heard across the country.