Learn the aesthetics, techniques, and practices of filmmaking from story pitch to post-production

An intensive program that shapes the filmmakers of tomorrow in the heart of Los Angeles
The UCLA Film and Television Summer Institute – Film Production gives students from across the country and around the globe an unparalleled opportunity to study filmmaking at one of the most prestigious film schools in the world.
This intensive immersion filmmaking workshop is intended for beginning and intermediate filmmakers of all ages (18+). Students work together on short film projects as they are introduced to the aesthetics, techniques and practices of filmmaking. Students work closely with UCLA faculty to study directing, cinematography, editing, production and creative collaboration while using UCLA equipment and sound stages.
The UCLA Film and Television Summer Institute – Film Production shapes the filmmakers of tomorrow right in the heart of Los Angeles, the entertainment capital of the world.
Film and Television Summer Institute – Film Production
In this six-week long program, college students and aspiring filmmakers will collaborate on short film projects as they learn the aesthetics, techniques and practice of filmmaking from beginning to end.
Symposium
In the exclusive Summer Institute Symposium, students from all tracks meet and listen to some of Hollywood’s most accomplished professionals. High-wattage guests have included Eric Heisserer (Writer, Arrival); Steven Canals (Creator and EP of Pose on FX); Jeff King (Executive Producer of The Umbrella Academy on Netflix); Agents from CAA, ICM, Paradigm, and UTA; Simon Kinberg (Writer/Producer, Deadpool, X-Men: Apocalypse, The Martian); Zak Penn (Writer, Ready Player One); and many others.
Hollywood and the Industry
As part of the Summer Institute, students tour a major Hollywood movie studio. A networking mixer for students and alumni takes place during the welcome event and on the last night of the program.
Applications are reviewed and admission to the program is granted on a rolling basis starting February 15th. Applying at your earliest convenience, prior to June 13th (Session A) or July 25th (Session C), is highly recommended.
The Film Production track is by instructor consent only. To participate, you must apply and receive acceptance into the program. Students will be notified within two weeks of an acceptance decision.
All students will be required to successfully complete a safety training course before the first day of the program to ensure safe practices while using film equipment and sound stages. Students will be provided ample time to complete this training before the start of the program, and more information will be sent to students once enrolled.
Applicants are required to provide the following to apply to the program:
- A statement of purpose stating why you would like to participate in the program, and what you expect to gain from the experience. (200 words or less)
- A creative writing piece written in English that uses the words “the air felt charged with possibility.” (150 – 300 words)
- An answer to the following prompt: Filmmaking requires creative collaboration at every stage – what specific qualities do you possess that make you a good collaborator? (300 words or less)
The Film and Television Summer Institute – Film Production is a hybrid (on-campus & virtual) College/Professional program. UCLA Summer Institutes do NOT provide on-campus housing for College/Professional programs. However, students who are 17 or older as of June 23, 2025, may independently apply for housing through UCLA Housing. Students interested in exploring this option should review information at UCLA Summer Housing.
Participants of the Film and Television Summer Institute – Film Production must commute to the UCLA campus each day of the program. Specific location information (e.g. classroom) will be provided to enrolled students closer to the start of the program.
Parking
Summer Sessions parking permits will be available on a first-come, first-served basis. Students have the option to purchase a summer term permit or a daily permit.
Please review the Transportation and Parking Services web page and read the “Summer Quarter Parking (All Students)” section for more information on all permit types, including cost.
Coursework
Film TV 104, Film TV 122D, Film TV 122E, Film TV 178; 13 units
Grading Basis
- FILM TV 104 and 178: Letter Grading
- FILM TV 122D and 122E: Letter Grading –However, if you would like to change your grade type to Pass/No Pass (or Satisfactory/Unsatisfactory if you have a Bachelor’s degree), please contact your instructor.
See University Credit, Grades and Transcripts for more information about academic credit.
In order to successfully complete the program, students must not have more than 2 excused or unexcused absences.
International students may enroll in the Film and Television Summer Institute – Film Production. International students enrolling in this program may qualify for an F-1 visa.
More information for international students attending Summer Sessions can be found here.
Session A: Hybrid*
June 23, 2025 – August 1, 2025
Session C: Hybrid*
August 4, 2025 – September 12, 2025
*(On-Campus & Virtual – some meetings occur on campus and some are virtual, but all students must attend in the modality dictated by the schedule)
Program Eligibility: Age 18+
Application deadline:
- Session A: June 13, 2025
- Session C: July 25, 2025
The schedule and syllabus are subject to change. Enrolled students will be given updated materials closer to the program start date.
Fees and Payment Info
The program fee includes the unit fees for the UCLA coursework offered as part of the program and thus varies by UC student status. In addition to the program fee, students are assessed other campus and administrative fees during the summer. This is a summary of fees that commonly apply to the selected student type.
Actual tuition and fees are subject to change by the University of California. Visit the fees, payment, and financial aid section for important disclaimer, as well as more details on fees, payment instructions, and information on delinquency, refunds, and financial aid.
Meet your instructors
Instructors for the UCLA Film and Television Summer Institutes are UCLA Department of Film, Television and Digital Media faculty.
Melissa Finell
Instructor – FTV 178 Production LaboratoryMelissa Finell is an award-winning director and screenwriter based in Los Angeles. SENSITIVITY TRAINING, her first feature film, had its world premiere at the LA Film Festival, where it was named a “Can’t Miss” film by the Hollywood Reporter. Her script for SENSITIVITY TRAINING won an Alfred P. Sloan Foundation Production Grant and a Samuel Goldwyn Writing Award. The film went on to screen at numerous festivals worldwide including Woodstock, Frameline, and TIFF Inside Out. It was released by Random Media in partnership with The Orchard and is currently available on Prime and all major platforms.
Mel’s short films have screened for festival audiences around the world. “Disaster Preparedness” was a Semi-Finalist for the Student Academy Awards and has been broadcast on PBS Stations across the country as part of KQED’s “Film School Shorts” series. The film premiered at Palm Springs International ShortFest, where it was named an Audience Favorite and screened in the “Best of the Fest” program. The film also screened at Mill Valley, Cleveland, Frameline, and NewFest; it won the “Best Short Film” Jury Award at the Seattle Gay & Lesbian Film Festival and was selected for “Best of Fest” at Outfest.
Mel has written feature screenplays for Lionsgate, Gunpowder & Sky, CJ Entertainment, and Tyler Perry’s 34th Street Films. Originally from New York, she received her B.A. in Gender Studies at Smith College and studied sketch comedy writing at the Upright Citizens Brigade Theater. Mel is a graduate of UCLA’s MFA program in Film and Television Directing, a former Film Independent Project Involve Directing Fellow, a Ryan Murphy Television Half Initiative mentee, and she recently completed the Warner Brothers Discovery episodic directing workshop. She is a member of the Writers Guild of America West and is represented by CAA and Writ Large.
Kelly Pike
Instructor – FTV 178 Production LaboratoryKelly Pike is a writer/director who is a recipient of the DGA “Award of Outstanding Directorial Achievement”, included on Austin Film Festival’s “25 Screenwriters to Watch” list, and a graduate of the AFI Directing Workshop for Women (DWW+).
With an established career in fine arts she first expanded her practice into filmmaking by working with documentarian Albert Maysles. She then went on to earn her M.F.A in Narrative Film & Television from UCLA.
Her films have screened at festivals around the world, winning awards from the Emerging Filmmaker Showcase at the Cannes Film Festival, Austin Film Festival, Palm Springs International Film Festival, Savannah (SCAD) Film Festival, Warsaw International Film Festival, Bahamas Film Festival, and many more. Her latest short film, PICTURE DAY, is currently qualified for the 2024 Academy Awards.
Other than festivals, her work has also earned recognition from PBS, NATO, Vimeo, the Caucus for Producers, Writers & Directors, the Puffin Foundation, and Short of The Week.
She is currently based in Los Angeles.
Lia Lenart
Instructor – Film TV 122D EditingLia believes that stories give us a structure to help us understand our experiences, values, identity and place in history. She is drawn towards complex stories that challenge stereotypes and avoid simple conclusions.
Originally from Cambridge, MA, Lia graduated with honors from Harvard. As a Directing MFA at UCLA’s School of Theater Film and Television, she was a UCLA TFT/Telluride FilmLAB Fellow, and received the Streisand Sony Fellowship and Jim Morrison Film Award. Her thesis, Cassandra, was awarded the Women in Film Verna Fields Memorial Fellowship, Lynn Weston Fellowship in Film, Adrienne Shelley Award, and Caucus Foundation Grant. It screened at LA Shorts Fest, Ashland International Film Festival, and won an audience award at Woods Hole Film Festival before premiering on KCET (SoCal PBS). Since then, Lia has been invited to speak at schools like Emerson, UCLA, and University of Tampa about the film.
Now based in Los Angeles, Lia was most recently Associate Editor on Unbroken, an award winning feature documentary, and has worked in Post Production on both narrative and feature films. She is a Visiting Assistant Professor at Loyola Marymount University and teaches at UCLA Film School Summer Sessions.
David Berry
Instructor – FTV 122E Digital CinematographyDavid has been an active working cinematographer for over fifteen years, with a filmography spanning multiple feature films, shorts, commercials, music videos and documentaries. He received a B.A in Communication from Trinity University, and then attended UCLA for graduate studies in Cinematography. David has also worked as a gaffer and DIT, bringing a deep technical and creative understanding of both lighting and digital video best practices. He currently serves as a Technical Consultant to Filmgear, a leading global manufacturer of cinema lighting equipment, helping design new next generation lighting fixtures. Across his work as a cinematographer, David is consistently praised for expressive lighting and camera movement as well as an aptitude for making projects look far more expensive than they are. He has been a cinematography instructor during the summer at UCLA for the past three years. His focus while teaching is to get students to understand not only creative and technical cinematography techniques, but to fully appreciate the connections between story, script, and cinematography as well as the underlying constant dialog between the filmmaker and audience.
Film and Television Summer Institute – Film Production FAQ
Qualified students may sign up for more than one track as long as the dates do not overlap.
Applicants from all backgrounds are encouraged to apply. The Film Production track is intended for beginning and intermediate levels.
Students will need to check with their academic counselor to see if the coursework included in the program will count towards their graduation requirements or if credit will transfer to their home institution. For UCLA students, courses may fulfill a major or minor requirement, or count as upper-division course credit.
No, students from all different majors are welcome.
- External Hard Drive
- Solid-State Drive (SSD) External Hard Drive w/ minimum 500GB
- Storage Capacity Connectivity/Interface: USB 3.0 or Thunderbolt
- Examples of acceptable drives:
- SAMSUNG SSD T7 Portable External Solid-State Drive 500GB, USB 3.2 Gen 2, MU-PC500T/AM
- G-Technology 500GB G-DRIVE ev RaW SSD Portable External Storage with Removable Protective Rubber Bumper – USB 3.0 – 0G04755-1
- Memory Card
- One SDXC memory card with the following specifications
- Minimum 64GB Storage Capacity
- Max Read Speed: 95 MB/s
- Minimum Write Speed: 60 MB/s
- Records Full HD, 3D, and 4K Video
- Built-in Write-Protect Switch
- Example: SanDisk 64GB Extreme PRO SDXC UHS-I Memory Card
Still have questions? Check out the general Summer Institutes FAQ.