Develop original TV pilots and learn how to navigate the contemporary entertainment marketplace
Mirror the practice of professional writers to develop original series concepts
The UCLA Film and Television Summer Institute – TV Writing introduces students to writing for television in Hollywood. This track mirrors the practice of professional writers in the world of episodic television and digital media by teaching students how to develop original series concepts and how to navigate the contemporary marketplace in a classroom environment that imitates the practices of a writers’ room. Under the guidance of a professional TV writer, students learn how to identify and capture the tone, characters, dialogue, and themes that make their story unique.
Participants will select one of the following two specializations:
- Introduction to TV Writing; OR
- Intermediate TV Writing for One-Hour Drama/Dramedy
Students at the introductory level write a series document, pilot outline, and the first act of the pilot script. Intermediate Drama/Dramedy level students outline and write the first draft of an original pilot, and develop the series outline as a pitch document. Students in the Drama/Dramedy track should not expect this to be a polished first draft, but will leave with the feedback and tools to further revise this into a fully-realized pilot for their portfolios and careers.
At the conclusion of the program, Introduction and Intermediate Drama/Dramedy TV Writing students pitch their TV show ideas to television professionals in the industry for feedback and notes.
Fees and Payment Info
The program fee includes the unit fees for the UCLA coursework offered as part of the program and thus varies by UC student status. In addition to the program fee, students are assessed other campus and administrative fees during the summer. This is a summary of fees that commonly apply to the selected student type.
Actual tuition and fees are subject to change by the University of California. Visit the fees, payment, and financial aid section for important disclaimer, as well as more details on fees, payment instructions, and information on delinquency, refunds, and financial aid.
|Ackerman Student Union Fee||$13.20|
|Ackerman / Kerckhoff Seismic Fee||$22.80|
|Wooden Center Fee||$7.20|
|Undergraduate Student Association Fee||$47.27|
|Document Fee (incoming UCLA students only)||$50|
Meet your instructors
Kate Torgovnick MayInstructor, FILM TV 131 – Introduction to TV Writing (Session A)
Kate Torgovnick May is a TV writer who is drawn to unexplored female worlds — an all-female city council, the staff lounge of a fertility clinic, the sugar baby conference circuit. A former journalist who worked at JANE Magazine, The New York Times and TED Talks, she transitioned to television when her nonfiction book, CHEER!: Inside the Secret World of College Cheerleaders, became the series HELLCATS on The CW, for which she served as a consulting producer. She has since written on CBS’s powerhouse series, NCIS. Her episode, “Schooled,” was the highest-rated of the past five years.
Daniel RogersInstructor, FILM TV 131 – Introduction to TV Writing (Session C)
Daniel Christopher “D.C.” Rogers was born and raised in Lompoc, CA, the son of a rocket engineer and brother to three over-achieving sisters. Daniel was most recently a story editor on the Netflix series PARTNER TRACK. He was previously a staff writer on the CW drama IN THE DARK. His development slate includes a series with Will Graham’s Field Trip Productions, and an adaptation of Karol Hoeffner’s novel KNEE DEEP with John Strauss and Josephson Entertainment. Daniel holds an MFA from the Peter Stark Producing Program at USC and a BA in English from Harvard College. A classically trained baritone, SAG Award-winning actor, and reformed pre-law student, Daniel resides in Los Feliz, CA.
Jill GoldsmithInstructor, FILM TV 133B – Intermediate TV Writing – Drama/Dramedy
Jill Goldsmith is a writer and producer for television, with credits on many Emmy-winning series, including NYPD Blue, The Practice, Ally McBeal, Law & Order, Boston Legal, and also Rizzoli & Isles. Currently in development with a project at Universal, she was previously the Showrunner and Executive Producer for a one-hour drama in development at BET. Jill was also a Finalist for the Humanitas Prize for an episode of Boston Legal, and has sold pilots to ABC, NBC, and Universal. She has been a featured speaker at many conferences and writing programs and has appeared on C-Span Close Up, CBS News, and CNN. Jill received an MFA in Screenwriting from the UCLA School of Theater, Film and Television, where she has also been a professor. She is a contributing author to the book, Lawyers In Your Living Room! Law On Television, published in 2009, in which she wrote the chapter entitled, Writing For Television: From Courtroom to Writers’ Room.