Prepare for a university theater program or career in the performing arts

Perry Daniel is an actor, director, educator, and puppeteer. She teaches courses in Acting, Teaching Artistry, and Puppetry. She is the Program Director for the UCLA School of Theater, Film and Television’s ArtsBridge program, an organization that provides enrichment programming in alliance with Los Angeles K12 schools. These programs are built upon the belief that empowering imagination is pivotal to the development of inspired learners and active community members through equitable access to the performing and visual arts.

As the Co-Creative Director of the Acting and Performance Summer Institute, Perry teaches Vocal and Physical Preparation along with directing devised pieces. Previous APSI classes have included puppetry design, mask making and performance technique, clowning, Commedia dell’arte and improv comedy. Her primary focus is on creating original works through ensemble development and creative collaboration. She utilizes her background as a Pilates and Gyrotonic instructor to assist students in furthering their understanding of artistic exploration through physicality.

Perry’s investment in performing arts, education and outreach is evident in her diverse array of experiences. As an instructor, she has developed and taught movement based acting courses in both New York and Los Angeles. She began her education outreach work in NYC with The 52nd Street Project, a non-profit theater company committed to creative work with the youth in the Hell’s Kitchen neighborhood. Her work with the Project led to a writing position with the production company Little Airplane for Nick Jr.’s The Wonder Pets. While in New York, Perry trained with Under the Table Ensemble Theatre (founded by Dell’Arte International School of Physical Theatre alumni), participating in Commedia dell’Arte and clown shows around the city.

A supporter of Clowns Without Borders, she has toured with the South African chapter, providing humanitarian outreach and psychosocial relief through the art of playing. As an extension of her commitment to arts outreach and education, Perry wrote and directed Tall Tales for the Geffen Playhouse. The debut was followed by a two-month tour of LAUSD elementary schools for over 3,000 students.

Daniel received her BFA in theater from the University of Colorado, Boulder and MFA in acting from the UCLA School of Theater, Film and Television. Her improv and sketch comedy training is courtesy of UCB, The People’s Improv Theater and Denver’s Impulse Theater. Among numerous stage and camera credits, favorite past roles include, Becca in Rabbit Hole, Arlecchino in Il Sogno d’Arlecchino, Valentina from Goldoni’s The Housekeeper and Cyllene in the Getty Villa’s production of The Trackers. Perry is also a member of the Los Angeles-based theater company Sacred Fools and volunteers at the Bob Baker Marionette Theater and Lunch On Me. She has performed puppetry at the Skirball Center, The Bob Baker Marionette Theater, Dynasty Typewriter, and every classroom imaginable. Recently Perry was elected to the board of directors of the Los Angeles Guild of Puppetry.

2020 – 2021 projects include: facilitating virtual creative movement workshops (LA, NYC, CHICAGO), vocal dubbing for the Dutch Netflix series Undercover, appearing in the upcoming feature Good Side of Bad, performer on the The Dybbukcast podcast, and acting in an episode of Pandemic Pillowtalk. She currently is in pre-production for the webseries Beverly Hill, a dystopian puppet parody of Bravo’s Real Housewives franchise.

Vikas Adam is an actor, voiceover artist, director and writer. As an educator, he has taught acting, voice and movement-based studies to all levels, from elementary school to undergraduate college. He was the program director for Junior Players, Dallas’ oldest non-profit youth arts organization. During his tenure there, he co-produced PUP Fest (a young playwright’s festival) with Kitchen Dog Theater, in addition to the third show in the Shakespeare Dallas Summer Season that included a critically acclaimed Bollywood version of A Midsummer Night’s Dream, which he also conceived, sound designed and dramaturged. As a teacher, Adam constantly updates his curriculum and employs improvisation, movement, ensemble and character-building exercises with an emphasis on “thinking outside the box” while building discipline and self-confidence.

Adam has also used his theater skills in numerous social outreach programs dealing with sexual assault awareness issues; was one of the founding members of the Dallas County Sexual Assault Coalition working alongside social workers, law enforcement, and hospitals to better services to victims of sexual violence; and has presented workshops for social workers at the state and national level. Adam has been in numerous commercials, industrials, independent films and shows. Favorite past classical theater roles include Alceste in The Misanthrope, Orlando in As You Like It, Malvolio in Twelfth Night, and Ariel in The Tempest. Past directing credits include Lysistrata, The Misanthrope, L Play and No Exit, in addition to numerous original pieces created by ensemble casts.

Adam works regularly as an audiobook narrator in numerous genres and has recorded work from luminary authors including Orson Scott Card’s Ender’s Game Alive: The Audioplay and Earth Afire (Earphone Award); International bestselling epic The Far Pavilions by M.M. Kaye; S.E. Hinton’s Some of Tim’s Stories; Dreams and Shadows and its sequel Queen of the Dark Things by C. Robert Cargill; and The City of Devi by New York Times notable Manil Suri (Best Audiobooks of 2013).

Adam has a B.F.A. in theater from Syracuse University and an M.F.A. in acting from the UCLA School of Theater, Film and Television.

Patrick Hurley graduated from UCLA with his MFA in playwriting. The first part of his Queer Tetralogy On a Queer Day was a Semi-Finalist for The Eugene O’Neill playwrights conference in 2018. His play The Winds of Ariston was part of UCLA’s 2017 New Play Festival. In 2018, his serialized play #instagay had twelve episodes at Sacred Fools Theatre in Los Angeles. In 2016, his play My Play’s Last Scene was part of the Marianne Murphy Staged Reading Series. That same year his One Act Indigo at Midnight was part of the Francis Ford Coppola One Act Play Festival. He worked as a Stage Manager for Francis Ford Coppola on his live television project Distant Vision. He has taught playwriting at UCLA, has been a dramaturg and literary assistant for The Theatre @ Boston Court in Los Angeles, and was the head writer for the 2018 Los Angeles Ovation Awards Ceremony. He is a two-time recipient of the George Burns/Grace Allen Fellowship for Comedy.

Wendy Kurtzman is an Emmy-nominated casting director who has helped launch the careers of many well-known actors including such notables as Sandra Bullock, Reese Witherspoon, Patrick Dempsey and Evan Rachel Wood. She has more than 25 years of experience in feature films, movies for television, mini-series and theater. Ms. Kurtzman has worked with many distinguished directors such as Paul Schrader, Diane Keaton, Sally Field and Roland Emmerich, for whom she cast the blockbuster “Independence Day,” starring Will Smith. Prior to starting her own casting business, she was a casting executive at Lifetime and NBC. She began her career as an actress in musical theater and graduated with a degree in theater from UCLA.

In 2013 Wendy launched College to Career Acting, to help emerging BFA/MFA artists navigate the transition from Academia into the Entertainment Industry. Her experience as both a performer and a casting director afford her a unique perspective into what it takes to succeed as a performer. Her ability to call on a strong network of agents, managers, producers, casting directors, composers and musicians provides young hopefuls unique access into the professional world. Currently, Wendy works as a business and career coach and is on Faculty at Pace University and UCLA where she teaches personal narrative, audition technique and transition to the Industry.

Taylor London is professionally trained in many dance styles; Ballet, Tap, Jazz, Hip Hop, African and Salsa. You may have seen her perform on The Voice, American Idol, X-Factor, BET Awards, American Music Awards and more. She has had the opportunity to work with Madonna, Brittany Spears, Rihanna, Pharrell Williams, Gwen Stefani, Fergie, Jhene Aiko and Willow Smith. With a passion for dance and a love for kids, Taylor’s fun Hip-Hop class focuses on basic grooves and cardio movement. You can follow her on her Instagram page Taylor London for more!

Actor and director Rod Menzies, is an internationally recognized voice, speech, text and dialect coach. He is a former co-artistic director of Ensemble Studio Theatre Los Angeles (EST/LA), where he serves on the Board of Directors and contributes as an actor and director in the development of new American plays.

He is also a member of the Open Fist Theatre Company, where he acts and directs. In 2018, he appeared in Zuri Alexander’s award-winning short film, Quiet Denial, which has screened at a number of film festivals including L.A. Shorts, where it was recognized with an Audience Award. As a director, Menzies has helmed more than 60 theatrical productions, including three world premieres for EST/LA, and an award-winning world premiere of Tom Jacobson’sWalking to Buchenwald, for Open Fist. In Los Angeles, he has performed leading roles at Open Fist, A Noise Within, Odyssey Theatre Ensemble, Pico Playhouse, Getty Villa, Chalk Repertory Theatre and EST/LA. A veteran of the Shakespearean Stratford Festival in Stratford, Ontario, Canada, Menzies has played many leading Shakespearean roles, including Mercutio in Romeo and Juliet; Sir Andrew Aguecheek in Twelfth Night; Hortensio in Taming of the Shrew; Lysander in A Midsummer Night’s Dream and the title role in King Henry V.

As a faculty member in nationally recognized conservatory programs, Menzies has taught acting, Shakespeare and directing, as well as many courses in voice, speech, text and dialects. He is a founding faculty member of Canada’s National Voice Intensive where he taught voice and Shakespeare text for 15 years, and the founding producing director of New York Theatre Intensives, where he taught a summer intensive in new play development in collaboration with the member artists of EST/NY.

Among the actors he has coached are Patricia Arquette, Neve Campbell, David Duchovny, Mariska Hargitay, Adrian Homes, James Purefoy, Marcus Scribner, Alicia Silverstone, TJ Thyne and Sophie Turner.

In addition to UCLA TFT, Menzies teaches at the AMDA Conservatory of the Performing Arts. He received his master of fine arts degree in theatre from York University in Toronto and a diploma in acting from Bristol Old Vic Theatre School in Bristol, England.

Jonathan Wang was born in 1973 in Beijing, China. He began his studies in Kung Fu at the age of 8 when he started training in Shan Xi Xing Yi under Master Cui Guo-Gui. In 1989, Wang migrated to the U.S. and started training under Grandmaster Jiang Hao-Quan. Grandmaster Jiang was a distinguished graduate of the Nan-King Guoshou Institute and was one of the top martial arts professors in China. Wang intensely studied traditional Chinese fighting techniques under Grandmaster Jiang for several years. At this time he was also studying Taichi under his father, Master Daniel Yu Wang, one of the few people in the world to have mastered all five classical styles of Taichi as well as Taichi sanshou and weapons.

In more than 20 years of studying martial arts, Wang has established a very respectable professional resume. He has won several championships in various categories throughout the years. In addition to his continued participation in tournaments and diligent training, Wang returns to Beijing several times a year to perfect his skills by training with some of China’s most respected Kung Fu masters.

In addition to his Kung Fu, Wang has two bachelor’s degrees in economics and international relations from UCLA, a master’s degree of science in oriental medicine, a national acupuncture certificate, a California state acupuncture license, and is at the forefront of documenting Kung Fu forms around the world before they are lost.